Jerome Liebling
Woman with Scarf, Brighton Beach, Brooklyn, New York, 1985
Chromogenic print, printed ca. 1995
30 x 24 inches
Jerome Liebling
Blonde Woman at Store, Brighton Beach, Brooklyn, NY, 1985
Chromogenic print, printed ca. 1985
16 x 20 inches
Jerome Liebling
Woman with Fur Coat, Brighton Beach, Brooklyn, NY, 1982
Chromogenic print, printed ca. 1982
16 x 20 inches
Jerome Liebling
Young Russian Immigrant, Brighton Beach, Brooklyn, NY, 1996
Chromogenic print, printed ca. 1996
16 x 20 inches
Jerome Liebling
Women Buying Peaches, Brighton Beach, Brooklyn, 1995
Chromogenic print, printed ca. 1995
24 x 30 inches
Jerome Liebling
Lunch Counter, Brighton Beach, Brooklyn, NY, 1981
Chromogenic print
8 x 10 inches
Jerome Liebling
Rooftops, New York City, 1979
Chromogenic print, printed ca. 1979
16 x 20 inches
Woman and Shopping Cart, Brighton Beach, Brooklyn, New York, 1985
Chromogenic print, printed ca. 1995
24 x 30 inches
Jerome Liebling
Brighton Beach, Brooklyn, New York, 1976
Vintage gelatin silver, printed ca. 1976
11 x 14 inches
Jerome Liebling
Beauty Shop, Brooklyn, New York, 1947
Gelatin silver, printed ca. 1970
11 x 14 inches
Jerome Liebling
Women Watching Parade, New York City, 1948
Gelatin silver, printed ca. 1970
14 x 11 inches
Jerome Liebling
Mother and Bride, Ruth Schwartz Wedding, New York City, 1947
Vintage gelatin silver, printed 1947
10 x 8 inches
Jerome Liebling
May Day, Union Square Park, New York City, 1948
Vintage gelatin silver, printed 1948
6 3/4 x 8 inches
Jerome Liebling
Vegetable Woman, Lower East Side, New York City, 1947
Vintage gelatin silver printed ca. 1947
7 1/4 x 7 1/4 inches
Jerome Liebling
Avenue D, New York City, 1977
Vintage gelatin silver, printed ca. 1977
11 x 14 inches
Jerome Liebling
Butterfly Boy, New York City, 1949
Archival pigment, printed 2007-2011
30 x 30 inches
Our exhibitions Jerome Liebling: Brooklyn and Other Boroughs and Fred W. McDarrah: The Artist's World were reviewed in numerous publications including The New York Times, NY 1 News, Time Lightbox, and The New Yorker. To view the full articles, click the link below or visit our press page.
Jerome Liebling will be featured in a film screening at AIPAD on Saturday, April 18 at 1:45 PM as a part of the 2015 public program. Harvey Wang's film From Darkroom to Daylight explores how the dramatic change from film to digital has affected photographers and their work.
Jerome Liebling:Matter of Life and Death featured in the New York Times and the New Yorker
Mr. Liebling, who became known as a member of the Photo League, a group of socially minded photographers that disbanded in 1951, dug deeply into his subjects, using still photography almost like film, to explore a condition rather than an instant. “He and his subjects are looking at each other,” said Rachel Liebling, who curated an exhibition of her father’s work, which is to run at the Steven Kasher Gallery from March 13 to April 19. “They’re looking at him and he’s looking at them. He felt the regular people were the superstars. Those portraits are about that.”
“O’er the green mead the sporting virgins play, their shining veils unbound along the skies, tossed and re-tossed, the ball incessant flies."
- Homer
According to Tom O’Conner’s History of Handball, the earliest mention of the game can be found as far back as 2000 BC in Egypt. The priests of the Temple Osiris in Thebes were depicted on the tombs, striking the ball with the hand. The game meandered to Europe, before Alexander the Great spread it around the Greek Colonies and the Apennine Peninsula (Italy). Accounts of handball are found in Scotland in 1427, where King James was a known fanatic, amongst the aristocracy of 18th century London, and finally, in its most reliable depiction, was introduced to the United States by Irish immigrants in the waning years of the 19th century. The game eventually settled in Brooklyn where it made its way into the DNA of an adolescent Jerome Liebling.