LaToya Ruby Frazier
Woodlawn Street, Braddock, PA (after Helmut Newton "Le Smoking, Rue Aubriot" for French Vogue, Paris, 1975), 2010
Gelatin silver print, printed 2010
24 x 20 inches
Edition 1 of 1
Miles Aldridge
Untitled (after Cattelan) #1, 2016
Chromogenic print, printed 2017
40 x 30 1/2 inches
Edition 8 of 10 + 2APs; Signed and numbered by photographer mount verso
Dan Weiner
Martin Luther King Jr., Bus Boycott, Montgomery, Alabama, 1956
Vintage gelatin silver print, printed ca. 1956
14 1/4 x 9 inches
Captioned and stamped by photographer verso
Phyllis Galembo
Trump Mask, Mexico, 2016
Chromogenic print on Fujiflex, printed 2018
20 x 20 inches
Edition 1 of 3; Signed and numbered by photographer verso
Ming Smith
Gordon Parks, New York, NY, ca. 1975
Vintage gelatin silver print, printed ca. 1975
20 x 16 inches
Signed by photographer verso
Stephen Shames
Angela Davis, who was a Black Panther for six months, speaks at a Free Huey Rally in Defermery Park, Oakland, California, November 12, 1969
Gelatin silver print, printed 2016
20 x 16 inches
Edition 6 of 8 + 2APs; Signed and numbered by photographer verso
Fred W. McDarrah
Carolee Schneeman, August 25, 1975
Vintage gelatin silver, printed ca. 1980
20 x 16 inches
Photographer's stamps and annotations verso
Harry Benson
The Beatles Pillow Fight, Hotel George V, Paris, 1964
Vintage gelatin silver print, printed ca. 1964
8 x 5 inches
Signed and dated by photograph recto
Leonard Freed
The Return of Martin Luther King Jr. After Receiving Nobel Peace Prize, Baltimore, Maryland, 1964
Gelatin silver print, printed later
8 3/8 x 12 1/2 inches
Signed, captioned and stamped by artist verso
Charles Moore
Martin Luther King Jr. Addressing a Meeting of the Montgomery Improvement Association, Which Was Founded In 1955 To Organize The Bus Boycott. A Year Later, The Bus System Was Integrated, Montgomery, Alabama, 1958
Gelatin silver print, printed later
14 x 11 inches
Signed by photographer verso
Diane Arbus
The Backwards Man in his Hotel Room, New York City, 1961
Gelatin silver print, printed by Neil Selkirk 1977
14 x 11 inches
Edition 2/75; Authenticated and signed by Doon Arbus verso, Estate stamp verso
Diane Arbus
Female Impersonators, New York City, 1958
Gelatin silver print, printed by Neil Selkirk later
14 x 11 inches
Edition 2/75; Authenticated and signed by Doon Arbus verso, Estate stamp verso
Nona Faustine
Over Her Dead Body, Tweed Courthouse, Brooklyn, NY, 2013
Archival pigment print, printed 2017
27 x 40 inches
Edition of 5 + 1AP; Signed by photographer verso
Keyezua
Fortia (1), 2017
Giclée print on Hanhemühle paper, printed 2018
35 1/2 x 23 3/4 inches
Edition 1 of 5; Signed and numbered by photograher verso
Adama Delphine Fawundu
Passageways #1: Secrets, Traditions, Spoken and Unspoken Truths or Not, 2017
Archival pigment print, printed 2018
45 x 34 inches
Edition of 7 + 1 AP; Signed and numbered by photographer verso
Girma Berta
Moving Shadows II, XII, Addis Ababa, Ethiopia, 2017
Archival pigment print, printed 2018
35 1/2 x 35 1/2 inches
Edition 2 of 4 + 1AP; Signed and numbered by photographer recto
Dario Calmese
No. 73 (from Amongst Friends series), 2018
Archival pigment print, printed 2018
24 x 24 inches
Edition 1 of 5 + 2AP; Signed and numbered by photographer verso
Dario Calmese
No. 90 (from Amongst Friends series), 2018
Archival pigment print, printed 2018
24 x 24 inches
Edition 1 of 5 + 2AP; Signed and numbered by photographer verso
Stan Squirewell
Afrosaxson, 2017
Mixed Media Collage
34 x 28 inches
Unique collage in hand carved wood frame, signed by artist
Shawn Theodore
Hardheaded, 2018
Archival pigment print, printed 2018
18 x 24 inches
Edition of 15; Signed and numbered by photographer verso
Jill Freedman
Quite the Gent (from the series Circus Days), 1971
Vintage gelatin silver print, printed ca. 1971
14 x 11 inches
Signed and stamped by photographer verso
Jill Freedman
Shorty Sees Giraffes (from the series Circus Days), 1971
Vintage gelatin silver print, printed ca. 1971
14 x 11 inches
Signed, captioned and dated by photographer verso
Fred W. McDarrah
Faith Ringgold In Her Harlem Apartment Surrounded by Soft Sculpture Rag Dolls, August 30, 1978
Vintage gelatin silver print, printed ca. 1980
16 x 20 inches
FMcDarrah147
Photographer's stamps and annotations verso
Fred W. McDarrah
Allen Ginsberg on Central Park Bandstand, 5th Avenue Peace Demonstration to Stop the War in Vietnam, March 26, 1966
Gelatin silver print, printed later
20 x 16 inches
Signed, titled and dated by photographer recto; Signed and stamped by photographer verso
Meryl Meisler
Untitled Film Still, Thanksgiving, North Massapequa, NY, November 1976
Vintage gelatin silver print, printed 1976
8 x 10 inches
Signed, titled and dated by photographer verso
Bill Hayes
Dreamer on 6th, New York City, 2016
Archival pigment print, printed 2018
16 x 20 inches
Edition 1 of 7 + 2 APs; Signed and numbered by photographer verso
Marianna Rothen
Babyface (from the series Mail Order), 2017
Archival pigment print, printed 2018
43 x 43 inches
Edition 1 of 3 + 2APs; Signed and numbered by photographer mount verso
Anja Niemi
The Imaginary Cowboy, 2018
Chromogenic print, printed 2018
44 x 59 inches
Edition of 7 + 2APs; Signed and numbered by photographer mount verso
Laura Levine
Treacherous Three, Harlem, NY, 1981
Archival pigment print, printed 2018
24 x 20 inches
Edition of 9 + 2APs; Signed, titled, dated by photographer recto; Signed, numbered, dated and stamped by photographer verso
Michael 'Nick' Nichols
3200 Year Old Giant Sequoia, California, 2012
Archival pigment print, printed 2017
110 x 43 1/2 inches
Edition of 10 + 2APs; Signed by artist recto
Ted Russell
Daylight Through the Window, 161 W 4th St., New York, NY, 1964
Archival pigment print, printed 2017
16 x 20 inches
Edition 5 of 25; Signed and numbered 5/25 by photographer recto
Ted Russell
Bob Dylan and James Baldwin Talking at the Emergency Civil Liberties Committee’s Bill of Rights Dinner to Present Dylan with the Tom Paine Award, New York, NY, December 13, 1963
Archival pigment print, printed 2017
16 x 20 inches
Edition of 5/25
Steven Kasher Gallery is proud to exhibit at The Photography Show presented by AIPAD, the longest-running fair dedicated to photography. Our booth presents a curated exhibition, Performance/Politics:
Artists: Appearances by:
Miles Aldridge Ralph Abernathy
Diane Arbus James Baldwin
Harry Benson Amiri Baraka
Girma Berta The Beatles
Dario Calmese Harry Belafonte
Martha Cooper Tony Bennett
Bruce Davidson Maurizio Cattelan
Nona Faustine Charlie Chaplain
Adama Delphine Fawundu Roy Cohn
Bob Fitch Angela Davis
Ivan Forde Bob Dylan
Leonard Freed Daniel Ellsberg
Jill Freedman Grandmaster Flash
Phyllis Galembo Allen Ginsberg
Declan Haun Kim Gordon
Bill Hayes Jesse Jackson
Sister Corita Kent John F. Kennedy
Keyezua Robert F. Kennedy
Laura Levine Martin Luther King Jr.
Jerome Liebling Roy Lichtenstein
Fred W. McDarrah Robert Moses
Meryl Meisler Claes Oldenburg
Charles Moore Gordon Parks
Michael Nichols Ronald Reagan
Anja Niemi Faith Ringold
Marianna Rothen James Rosenquist
Ruddy Roye Carolee Schneemann
LaToya Ruby Frazier Treacherous Three
Ted Russell Fred Trump
Stephen Shames Donald Trump
Ming Smith George Wallace
Stan Squirewell Andy Warhol
Shawn Theodore Tom Wesselman
Dan Weiner Tina Weymouth
Location:
Pier 94
711 12th Ave
Booth 800
New York, NY 10019
Public Hours:
Wednesday, April 4: Vernissage
5:00 p.m. - 9:00 p.m.
Thursday - Saturday, April 5 - 8
12:00 p.m. - 8:00 p.m.
Sunday, April 8
12:00 p.m. - 6:00 p.m.
Steven Kasher Gallery is proud to exhibit at The Photography Show presented by AIPAD, the longest-running fair dedicated to photography.
The In-Between features Anja Niemi's piece from our AIPAD exhibition, "Performance/Politics" in their list of women who stole the show at The Photography Show presented by AIPAD 2018.
Fine Books & Collections features Steven Kasher Gallery's exhibition, "Performance/Politics," at the Photography Show presented by AIPAD as one of the highlights of the fair.
AI-AP features Steven Kasher Gallery's upcoming booth at The Photography Show presented by AIPAD entitled Performance/Politics. The booth will be open from April 5-8 at Pier 94 and capitalizes on the performative qualities of photography.
