Mickalene Thomas
Le déjeuner sur l'herbe: Les Trois Femmes Noires, 2010
C-print
47 x 58 inches

Lyle Ashton Harris
Americas: Miss Girl, 1987-88
Vintage gelatin silver print, printed ca. 1987-88
45 x 55 in

Diane Arbus
Max Maxwell Landar, Uncle Sam, N.Y.C., 1961
Vintage gelatin silver print, printed ca. 1961
9 1/2 x 6 1/2 in

Diane Arbus
Boy with Straw Hat Waiting to March in a Pro War Parade, New York, 1967
Gelatin silver print, printed later
20 x 16 inches,

Leonard Freed
Summertime in Harlem, New York, 1963
Vintage gelatin silver print, c. 1963
10 1/4 x 7 in

Leonard Freed
Hasidic Wedding, the Men Dance in One Room, the Women in Another, 1954
Vintage gelatin silver print, printed c. 1954
8 x 13 in

Teju Cole
Zürich, 2014
Archival pigment print, printed 2017
20 x 24 in

Teju Cole
Beirut, 2016
Archival pigment print, printed 2017
20 x 24 in

Jules Allen
Shadows and Watermelons (from the series Hat and Hat Nots), ca. 1980
Vintage gelatin silver print, printed ca. 1990
16 x 20 in

Louise Lawler
Untitled (Mao), 1991
Chromogenic print, printed ca. 1991
5 3/4 x 8 in

Louise Lawler
Untitled (Marilyn), 1991
Chromogenic print, printed ca. 1991
7 1/4 x 9 1/4 in

Martha Cooper
Freshly Painted Wild Style Wall in Riverside Park, Manhattan, NYC, 1983
Archival pigment print, printed 2016
30 x 40 in

Martha Cooper
Duster Lizzie, 1982
Archival pigment print, printed 2016
16 x 20 in

Jimmy DeSana
Untitled, 1985
Vintage cibachrome print, printed ca. 1985
14 x 11 in

Marilyn Minter
Mini Plush 14, 2016
Archival pigment print, printed 2016
7 1/2 x 5 1/8 in

Marilyn Minter
Mini Plush 39, 2016
Archival pigment print, printed 2016
7 3/4 x 5 3/8 in

Phyllis Galembo
Los Americanos, Mexico , 2012
Chromogenic print on Fujiflex
50 x 50 in

Vivian Maier
Man Jumping in Central Park, New York, ca. 1955
Vintage Gelatin Silver Print, printed ca. 1955
2 15/16 x 2 15/16 in

Wendy Ewald
Brandy Bishop, Black Self (Black Self/White Self series), 1994-1997
Gelatin silver print, printed ca. 1997
19 3/4 x 15 3/4 in

Wendy Ewald
Gregory Blake, White Self (Black Self/White Self series), 1994-1997
Gelatin silver print, printed ca. 1997
19 3/4 x 15 3/4 in

Olivia Locher
I Fought the Law (Ohio), 2014
Archival pigment print
24 x 30 in

Marianna Rothen
Pins and Needles (from the series Shadows in Paradise), 2015
Archival pigment print, printed 2015
43 x 43 in

Marianna Rothen
Minor (from the series Shadows in Paradise), 2016
Archival pigment print, printed 2017
17 x 17 in

Ruddy Roye
The Beacon, Dallas, TX, July 2016
Archival pigment print on metallic paper, printed 2016
35 x 35 in

Ruddy Roye
Activist, New York City Pride Parade, New York, NY, June 26, 2016
Archival pigment print on metallic paper, printed 2016
35 x 35 in

Accra Shepp
Micky, Occupying Wall Street, October 15, 2011
Gelatin silver print, printed 2016
20 x 16 in

Accra Shepp
Shadow (from the series Occupying Wall Street), 2011-2012
Gelatin silver print
16 x 20 in

Ming Smith
Sun Ra space II, New York, NY, 1978
Gelatin silver print, printed ca. 2000
28 3/16 x 39 7/8 in

Ming Smith
Dakar Roadside with Figures, Dakar, Senegal, 1972
Gelatin silver print, printed 2016
28 x 39 1/2 in

Jill Freedman
Boy with Burning Trash Can, Poor Peoples Campaign, Washington, D.C., 1968
Vintage gelatin silver print, printed ca. 1968
14 x 11 in

Jill Freedman
The Reflecting Pool, Washington Monument, Poor Peoples Campaign, Washington, D.C., 1968
Vintage gelatin silver print, printed ca. 1968
9 1/4 x 6 1/4 in

Lucien Samaha
Celine and Jorg At Moment of Capture, Crosman Terrace, Rochester, NY, 1991
Unique inkjet print, printed 1991
5 3/4 x 8 1/4 in

Lucien Samaha
After Dinner, Crosman Terrace, Rochester, NY, 1991
Unique inkjet print, printed 1991
5 3/4 x 8 1/4 in

Andy Warhol
Self-Portrait, ca. 1978
Unique Polaroid SX-70
3 1/8 x 3 in

Press Release

Steven Kasher Gallery is proud to exhibit at The Photography Show presented by AIPAD, the longest-running fair dedicated to photography. Our booth presents a curated exhibition 21 Photographers, One Straight White Male featuring works by:
 

Jules Allen                    Jill Freedman                           Marianna Rothen
Diane Arbus                  Phyllis Galembo                       Ruddy Roye
Teju Cole                      Lyle Ashton Harris                    Lucien Samaha
Martha Cooper              Louise Lawler                           Accra Shepp
Jimmy DeSana              Olivia Locher                            Ming Smith
Wendy Ewald                Vivian Maier                             Mickalene Thomas
Leonard Freed               Marilyn Minter                         Andy Warhol


Our booth will present rare and iconic pictures including:

A vintage print of Diane Arbus’ Max Maxwell Landar, Uncle Sam, N.Y.C. This vintage print made by Diane Arbus comes from the collection of Ruth Ansel, the legendary art director of Harper's Bazaar, the New York Times and Vanity Fair. This exact print used for reproduction as the lead image in Arbus' second magazine spread, 'The Full Circle', Harper's Bazaar, November 1961. The article and its accompanying text, written by Arbus, was reproduced in its entirety in Diane Arbus: Magazine Work, published by Aperture in 1984. The image is also reproduced in Diane Arbus: Revelations published by Random House in 2003.

Lyle Ashton Harris’ Americas: Miss Girl, a rare print is from Harris’ well known early series “Americas.” This boundary pushing body of work explores issues of race, gender, sexuality and their intersections in the formation of subjectivity. The Solomon R. Guggenheim Museum in New York acquired “Americas (Triptych)” in 2012. A selection of work from the follow up series “Constructs” was included in the groundbreaking “Black Male” exhibition of 1994 at the Whitney Museum of American Art (New York) and Hammer Museum (Los Angeles).

Mickalene Thomas’ iconic Le déjeuner sur l'herbe: Les Trois Femmes Noires from the sold out edition of 5. The photograph, inspired by Edouard Manet's famous painting, was blown up by became the basis for a large scale multi-media triptych that was first shown in a street facing window at MoMA in 2010. The triptych was then show in Thomas' solo exhibition Mickalene Thomas:Origin of the Universe at the Brooklyn Museum in 2012. The work was also installed as a wall-size mural created for MoMA PS 1 On Site 3: Mickalene Thomas in 2010.

Marilyn Minter’s Plush series, from Minter's first artist book, Plush, published in 2014 by Richard Prince's Fulton Ryder Press as a limited edition of 500 copies. Prints from the series were included in the first exhibition of artist run super-PAC For Freedoms, co-founded by Hank Willis Thomas and Eric Gottesman, at Jack Shainman Gallery in 2016. This series was also featured in the artists' first retrospective "Marilyn Minter: Pretty/Dirty" at the Brooklyn Museum in 2016.

Location:
Pier 94
711 12th Ave
New York, NY 10019

Public Hours:
Wednesday, March 29: Vernissage
5:00 p.m. - 9:00 p.m.

Thursday - Saturday, March 30 - April 1
12:00 p.m. - 8:00 p.m.

Sunday, April 2 
12:00 p.m. - 6:00 p.m.